Identify the Best Stories Hidden in Your Family History Research




 

 

Everybody has a story. That’s true. But no question some stories are better than others. Why? Because they are built around great conflict. The bigger the battle, the bigger the story. When it comes to writing stories that will entertain and engage your family you want to seek out stories that provide conflict to the reader. Give your readers a story filled with struggle, and they will want to learn more.

Sometimes, as writers, we struggle to identify this conflict in our ancestor’s life. On the surface, our ancestor’s life seems boring and mundane. However, if you take a few minutes before you begin to write you might be surprized at what you will find.  Once you find a little conflict your job of writing an engaging and entertaining family history just got easier.

Here are some tips on how to help you find the conflict in your ancestor’s life that you can in turn structure your story around.

 

  1. Look for Major Change

When human beings go through change, there is generally conflict. That conflict might come in the way of people who don’t want to change or refuse to change. Others might change reluctantly and find it very stressful. What kinds of change can we see in our family history research? Look for ancestors who are forced to change jobs, or must leave their country, or are sent away to school or forced into a marriage. Perhaps a woman who has had a father or husband to lean on all her life, only to lose them and must provide for herself and children. Where there is change, there is generally both inner and outer conflict as our ancestors attempt to deal with the change.

 

  1. Look for Major Accomplishments

Another excellent method of looking for conflict in an ancestor’s life is to seek out any significant accomplishments your ancestor had in their life. For example, purchasing land particularly if they were locked in a social status that prevented it. Another example may be acquiring an education, or having children, or building a successful business. Once you’ve identified the accomplishment look at the obstacles that an ancestor faced in achieving that accomplishment. A woman who wants a family may find herself struggling with finding an appropriate husband and then only to have multiple miscarriages before finally having a child. Few of us achieve great things without having to jump through some hoops and overcome a few obstacles. Shape your story around those challenges on the path to finally acquiring their goal and you have an entertaining family history story.

 

  1. Seek out Motivations

Everything we do in our life is generally motivated by something in our past. We may realise it, we may not.  We rarely do anything, make any change, or seek out any goal in our life without it being driven by something in our past. For example, if your ancestor emigrated, why? What motivated this emigration? Perhaps it was poverty, maybe it was the fear of war, maybe it was certain conscription into the army. Seek out the motivations behind your ancestor’s actions, and you will often find a conflict they have grappled with and that has eventually driven the choices in their life. Shape your story around these motivations and your readers will be glued to your story to the very end.

 

  1. Look for Actions that Took Place Around or Because of Historical Events

Was your ancestor’s life affected by local, regional or world events? These events may have presented them with conflict. For instance, did a World War present conflict for an ancestor? We’re they a conscientious objector, or perhaps troops marched through their town changing their lives forever? We’re they conscripted? Sometimes conflict is thrust upon our ancestors by outside events they had no control over. Look for how a historical event propelled great conflict into your ancestor’s life and altered its projection forever.

 

  1. Look for ‘What If’s’

What would have happened if…? If my ancestor had not emigrated? If my ancestor had been conscripted into the army? If we look at our ancestor’s life from the perspective of a ‘what if’ then it can often show some struggles and conflicts that our ancestors faced in their life. When looking for conflict in our ancestor’s life, it might be buried in what they managed to avoid. Sometimes I hear family historians say, nothing significant happened in my ancestor’s life. There is no conflict. It may appear as if there was no conflict because your ancestor managed to avoid being caught up in such struggles. Look at the choices they made and the ‘what ifs.’ What if they hadn’t made this decision or taken that option, you might be surprised at what you find. It’s not that the conflict didn’t exist, your ancestor may have been one step ahead of the conflict.

 

Take a look at your family history research using the 5 tips above and you might just discover some amazing family history stories waiting to be written.

 

Related Post

How to Begin Your StoryHow to Begin Your Story

Without a great beginning, a beginning that draws the reader in and hooks them your story is dead. The beginning becomes especially important in a family history narrative. We all know how difficult it can be to get our relatives to read about their family history. They may not have a particular interest in their history; maybe you forced them into reading this story, perhaps some guilt is involved. Regardless, how they got to that first page you want to be sure they stay, and they stay because they are intrigued.

The beginning is the start of your story up until your first plot point. The first plot point being  the event that causes your ancestor to take action and set them on a path to their goal. This first plot point is often referred to as the inciting incident or the first turning point.

There is no tried and true answer to where to begin. Throw out the idea that your family history must start at the beginning of a life, in chronological order. Look at your research,  your ancestor’s story and find a moment, event, question or surprise that you feel will grab your reader’s attention. Your story’s beginning should set the tone and mood, establish a point of view and make the author’s voice heard (that’s you).

A Checklist for the Beginning of Your Story

  • A Hook – the opening lines, the first moments of your story that grabs the reader’s attention, that captures your reader’s curiosity and propels them to keep reading.

The hook can come in a variety of ways:

  1. Start with a question – put a question in your reader’s minds. Make them wonder what does this have to do with my ancestor, my family history. How is my ancestor going to get out of this situation?
  2. Begin at a crucial moment – Choose a critical juncture in your family history, an event that captures your reader’s attention and will encourage them to learn what happens next.
  3. Create an interesting picture – Start your family history with description that helps your reader’s paint a picture of their ancestor’s setting. Put them in a scene, give them some action and your reader will be drawn in.
  4. Introduce an intriguing character– A character that grabs your reader’s attention will encourage them to stay to find out more. Let your ancestor’s personality take the lead.
  5. Start with an unusual situation – Show us your ancestor in a unique situation that makes your family take notice, and they’ll be sticking around to see what it’s all about.

With each passing sentence, you want to continue to build, coaxing the reader to stay with you. Each paragraph should build on the last, pulling them deeper until they can’t turn back. The last sentence of each paragraph should be a catalyst to the next. We all remember a book that we couldn’t put down.  The authors of these books excelled at creating great beginnings that drive you forward into the story.

Besides the hook, the start of your family history story should offer the reader other elements that will help capture their attention and curiosity.

  • Introduce the Protagonist – Introduce us to the Protagonist Ancestor if you haven’t done so in the hook. Assist the reader in establishing a relationship with your primary character.
  • Establish the Setting – The reader should be able to visualize where the story takes place, area, time and even season.
  • Introduce the Antagonist – Introduce us to the Antagonist Ancestor ( if there is one). Keep it brief, don’t give us everything up front.
  • Introduce a Story Question – Present the reader with a challenge that your ancestor faces. Have your readers asking the question, How will they overcome this challenge?
  • Theme – Introduce, your reader to the theme of your family history story. Give them something to think about, what does your family history mean?

What Your Beginning Shouldn’t Include

  • Avoid backstory or flashbacks. Stay in the present story. There is plenty of time to add historical information later.
  • Too much description, particularly of the central character, give us just enough to paint a picture, not a long drawn out description. Stick to unique and very specific details. It’s important to remember, in this case, more is not necessarily better.
  • Don’t introduce too many characters.
  • Don’t change point of views between characters, too confusing this early on. If you are writing your family history from the point of view of two ancestors, let the reader get comfortable with one point of view before changing.
  • Too many locations, keep your beginning limited to one or two locations. Ancestors travelled but let’s not have them in a dozen different places in the first chapter.
  • Don’t spoon-feed the reader, giving everything they need to know about their family history upfront. You’re writing this story to share a family history in a compelling read. Make them hang with you until the end, don’t share everything in the first chapter.
  • Prologues – much debated, but personally I dislike books that start with a prologue because they are often a place to dump backstory and it often feels lazy. It’s a personal choice; prologues are best used to raise a question in the reader’s mind about the main character.