Author: Lynn

The Three Spaces to Organizing Your Family History WritingThe Three Spaces to Organizing Your Family History Writing



Whether you’ve started writing your family history book or you’re still in the ‘thinking about it” stage, the process can be a tad overwhelming. As family history writers we have a lot to manage when it comes to writing a book. Let’s just consider the writing, for example, making sure we have all the necessary information going into our stories, like setting and characterization and a good plot and then handling the editing and revisions. Of course, we also have mountains of research that we will have to draw on throughout the writing process. We will need to make sure we are creating accurate citations and a bibliography of our references. Finally, we will want to add pictures to enhance our words, do we have a plan for managing them?

Without a well thought out and practical workflow, a family historian can waste a lot of time shuffling papers, and this can become frustrating and confusing and often result in an abandoned project.

I highly recommend you create yourself a writing workflow that consists of three organizational spaces; your writing space, a reference management area, and a research organizational space. Let’s look at how to set these up so that you can get to the finish a line a little bit quicker.

 

Gathering Your Research

It’s important to gather your research, primary documents, pictures and social history research in one place, where you can keep them organized and readily available. You need to choose that place and set up a filing system that works for you. A big part of the planning process is having a detailed knowledge of your research and having it organized and readily available to you.

Much like historical fiction writers, family history writers must give much thought to the history and timelines of the world around their characters. We must re-create that world for our readers, impossible to do without in-depth research. Having your family history spewed across various files, programs and computers can be a time waster in writing. You need to create a nice neat workflow, and your first stop is a home for your research. A few tools available include programs such as OneNote or Evernote. I prefer to create a project binder in Evernote.  I admire Evernote and its ability to sync across all my computers, so regardless of where I am working I have access to my research and love the organization of the program. It’s a personal thing. Give both a try, find your preference.

In Evernote, I create a binder for each surname I’m covering in my book. I create a notebook stack. In that stack, I create notebooks that can be dedicated to each ancestor. In each ancestor’s file, I store all the necessary documents, pictures, family group sheets and pedigree charts for each ancestor in this particular story. I also create files for setting and social history. Setting up these files is simple. The work comes in rounding up all your research. It can be a big chore but will make your task of writing your stories so much more enjoyable. The work of gathering your research is beneficial in of itself.  It allows you to become reacquainted with your research, helps you identify holes and ask questions.

As I begin to write in Scrivener , my chosen writing software, I can then quickly pull the research I need into Scrivener’s research area. It’s right in front of me while I write, ensuring accuracy and there is no time wasted shuffling papers and clicking through my digital files looking for my research.

 

Managing Your Citations and Bibliography

Creating a management system for citations and a bibliography is the second step in my writing workflow. Without a plan for citations and a bibliography before you begin to write you can end up with a massive task when you are done writing. It’s important to keep track of your references as you work through your story. It doesn’t mean you have to create citations as you write, you can handle these as two separate tasks so as not to disrupt your creative writing process. However, it doesn’t mean you ignore them and leave it all to the end.

As I place citations into my writing in Scrivener, I pull them from a number of sources, my reference manager, my family tree software, RootsMagic, or I create them manually if necessary, for instance with Evidence Explained by Elizabeth Shown Mills as your reference guide. You can learn how Scrivener handles citations and works with a reference manager in my new guide, Scrivener for the Family Historian.

You’ll also find yourself heading to the Internet or an Archive for additional information, usually social history, as well as world, regional and local history. A reference manager can easily capture this information with browser apps.

Citation managers are wonderful tools that allow you to organize your sources for creating citations. They make the task quick and easy, keeping you from spending too much time away from writing, looking up sources and formulating citations. They also make creating bibliographies a fast and painless task. Three citation managers I suggest you consider are Zotero, Papers, and Refme. Take them for a test drive; find one that works for you. Again take the time to load up your citation manager with your sources in advance of writing. As you begin to write your stories, you’ll have your sources readily available and can add to your list as required. When you reach the end of your project, your bibliography will be a breeze as most reference managers will automatically generate one for you.

 

Managing Your Writing

The final and third essential element to my writing workflow is my writing software. While most of you are probably using Word, I chose to move my writing to Scrivener about 5 years ago.

What makes Scrivener such an exceptional program is its’ ability to handle a large project. Rearranging your text, chapters, and sections and just having the capacity to get a big picture view of your book or story is worth the prices of the program. Only $40.  It also has the capability of being extremely flexible. Every writer is unique and wants something a little different in their writing space, Scrivener offers that flexibility. Finally, Scrivener can take your project from the earliest stages of planning with its digital corkboard right through to publishing, whether that be a paperback, hardcover or ebook.

Before you begin to write, establish a writing workflow, a process that you are going to put in place to manage your research, your references, and your writing.  Make writing your family history productive and organized but most of all let’s get to the finish line and get those family history stories published. A great workflow can help get you there.

 

 

 

When to Write about a Family SecretWhen to Write about a Family Secret



We all have them – secrets. Every family history has their share of secrets and as family historians, we generally will stumble across a few in our research. Uncovering a family secret certainly isn’t unusual. The arduous task can be in deciding whether to write about that secret.

Let’s first consider why people keep secrets.

  1. Fear of Consequences

Generally,  our ancestors kept secrets because of the fear of the consequences of family and non-family members finding out. Would your ancestor be kicked out of the house, would a spouse leave, lose a job. Secrets are often kept to protect a loved one or a relationship from such consequences.

 

  1. Judgement

Our family members were afraid of being judged. They chose the discomfort of hiding the secret over the possible pain of judgement. Fear of humiliation and judgement is one of the greatest fears we have as humans, and it drives many of us to keep secrets. Right and wrong is a man-made invention. Our beliefs, sense of right and wrong come from adults and authority figures in our life. To please everyone, we keep secrets about the rules we break, so that people don’t judge us.

 

  1. Shame

There is shame attached to the secret.  Societal norms dictated whether what our ancestor did was wrong. The shame of not meeting with those societal norms was enough to encourage our ancestor to engage in a secret.

 

  1. Poor choice

Our ancestor made a poor choice that couldn’t be corrected.  Our ancestor  then turned to hiding that poor choice.

 

Your ancestor may have engaged in a secret because of anyone of these reasons or a combination.

 

How do you decide whether to reveal a secret?

When it comes to writing about the family secrets we need to aware of the above reasons.  If these reasons still exist for your family involved, then you most likely are not going to get them to be open to you writing about the secret. If it will hurt someone and produce no benefit, then it shouldn’t be told.

However, you must also examine your motivations for wanting to know the secret. Is it selfish? Is it merely to fill in a blank on the family history chart or is it to write a juicy story?  Is it to get it off your chest, or do you feel a moral obligation to tell? Unfortunately, these are not good enough reasons to reveal a secret. If it is not your secret to tell, you must have the permission of those who were involved in the secret.  Then you must also consider their motivation in telling the secret.  Are they seeking revenge or is it time to let the secret go?

 If the ancestor has passed

If the ancestor has passed, and those that are involved in the secret do not have to worry about being judged or feel shame, then I think as writers we are free to write about the secret. However, I still believe it is paramount to come at the secret with sensitivity and to put the secret into the context of the time and place. We have to be open to using the secret in our writing as a teaching moment. A time to learn about the tough choices our ancestor faced. Writing from a place of judgement or revenge will not win you any points with your readers even if your ancestor has passed.

 

 If the person is still alive

I’ve always said if the individual or individuals who are at the centre of the secret are still alive and still fear a sense of shame or fear of being judged then it’s not our place to write about the secret.  If it hurts someone who is still living and produces no benefit to the family, then it shouldn’t be told. Unless, of course, they are willing to open up to you and you can infer in them, a sense of trust.

Sometimes secrets in our ancestor’s days wouldn’t be considered a secret today. Some secrets don’t carry with them the level of shame or judgement that they did in days past. However, if that ancestor is still alive, you can’t deny their feelings even if the rest of the world has changed.

 

Their Secret Went to the Grave

Often, ancestors take their secrets to their graves. There is just no way for us to know what happened. It is in times like these that we need to let it go and accept the fact that the secret will never be known and perhaps that is for the best.

It’s not enough to wrap ourselves in the cloak that family secrets are a part of the family history and a fact and we have to write about it. We instead need to consider family secrets as an opportunity to heal the family, to use family history secrets to a teach a lesson if not for this generation but the next.

 

 

 

 

 

 

Writing a Family History MysteryWriting a Family History Mystery



family history detectiveAs genealogists, many of us consider ourselves family history detectives, sleuthing through clue after clue uncovering the lives of our ancestors. You’ll often find me encouraging you to take the stories you uncover, and shaping them in engaging and entertaining family history stories using the tools of creative nonfiction.

However, let’s consider another option aside from the traditional family history narrative. Let’s consider telling the tale of your family history research like a mystery novel.

Mystery novels are a very popular genre, the reason for this popularity is because it makes for exciting reading. Mystery novels bring the reader on a journey, leading them along, almost allowing them to play detective beside you. Therefore, it makes perfect sense to incorporate the tools of the great mystery novelists in writing your family history.

As family history writers and bloggers we can enlist this genre to write and relay our family history research in a manner that will capture the attention of your readers.

How a Mystery Novel Works

  1. The Opening – Create the mystery for the reader

The opening of your story should begin with presenting a mystery to the reader. We want to grab the reader immediately, and therefore, it’s important to give the mystery on the very first page to capture the reader’s attention. In mystery novels, your reader does not know the answer to the mystery until the end of the story.  The story is centered on the exercise of trying to figure out the answer to your mystery.

In the beginning, you want to introduce the reader to your mystery and the setting of your story.  As well you will introduce your main character, that’s you. You’ll be the detective in your mystery novel, bringing your reader along with you on your discovery. Place yourself in the setting of your story. The setting may come in the form of many places, your office, an archive, your ancestor’s hometown.  Where are you when you first begin your story and take on your call to adventure.  The call to adventure is your inciting incident, the moment you took on the task of uncovering the answer to the mystery.

Think about the number of puzzles that you have pieced together in your research journey – which one will you write about? Don’t tell us about every ordinary discovery you have discovered in your research. Nothing will put a reader to sleep faster. You know the ones, the finding of a birth certificate or your ancestor’s hometown. Don’t get me wrong these are great discoveries for genealogists, but the average family member won’t be interested.

You need to think big. A mystery novel approach is best reserved for those discoveries in your family history that have high stakes attached to them. Of course, there are no stakes in uncovering your ancestor’s story; the high-stakes lie in the ancestor’s story itself. The higher the stakes, the more engaging the tale you have to tell. The bigger the mystery, the more compelling a story you have to share with your reader.  Of course, to tell a mystery you need to have an answer to the mystery. Don’t bring us along on a research journey that you have yet to discover the answer. Nothing will frustrate a reader more than not having an ending to the mystery.

Possible Mysteries in Your Family History

Murders or any significant crime you uncover in your family history are great storytelling topics for mystery novels. Was an ancestor murdered? Was there a trial? Trial transcripts may provide excellent information for the retelling of a murder mystery. You may know the answer, but your reader doesn’t. Turn your ancestor’s murder into a whodunit crime novel.

An ancestor is murdered or found dead under suspicious circumstances – Was there an inquisition into the death? Again these inquisitions can provide excellent information for the retelling of a mysterious death.

Some of the best mysteries start out with a dead body. But we might not all have the option of starting with a dead body. Here are some other ideas for your mystery story.

Was a valuable item stolen from your ancestor?  Again you may find information in a trial or the newspapers.

Did an ancestor go missing ancestor or did you uncover the disappearance of an ancestor that you later solved?

Did your ancestor witness a crime, was the victim of a crime or solved a crime?

Was there a secret child, a hidden family or a second family that you uncovered?  Did you come across a child in a census and you don’t know who they are, or a child that disappears from the family. Did you discover a child in a census that your family never talked about?

Did your ancestor have a secretive career that you uncovered?

These make great mystery stories to recount as you uncover the clues to the answer.

 

  1. The Middle – Building the Tension

You will spend the better part of the middle of the story revealing the mystery piece by piece, overcoming obstacles until finally the mystery is solved for your reader. A mystery often brings great tension. Mystery novels are usually page-turners that keep the reader engaged to the end. How does a writer accomplish this?

Obstacles

The middle should demonstrate the obstacles you faced in uncovering the mystery. These barriers may come in the form of people, suspects, false leads, and misleading clues.

Create a list of obstacles you encountered throughout your research. Were there missing records? Unattainable records?  Folklore stories that lead you in the wrong direction?  Records with missing or misleading information?

Did you experience any red herrings? Red herrings are clues that are false or deceptive. Did an ancestor lie on a document sending you in the wrong direction?

Cliffhangers

A cliffhanger is a storytelling technique that writers use to end a scene or chapter. They leave the reader in flux desperate to read more.  In your family history mystery, cliffhangers may be formed from any number of problems you came up against during your research.  A missing document, a dead end, a family member unwilling to talk, a small piece of information that leads to more questions.

Major Setback

Did you experience a major setback in your research?  A time when you almost gave up in solving the mystery?  A major setback will escalate the tension in your story and keep the reader guessing.

Bit by Bit

You want to make sure you are dripping the information to your reader bit by bit, encouraging them to keep reading. Don’t lay it all out right away. They will have no reason for your reader to stay with you until the end.

 

  1. Resolution – How is the mystery solved?

After overcoming your obstacles and pulling your reader along on the journey, you need to provide them with a solution, an answer to the mystery. This solution, while it should unfold gradually from your research and not come entirely out of left field, you still want it to be somewhat surprising to your reader. That means holding a little back for the end.

However, your resolution shouldn’t just be about the answer to the mystery but also demonstrate how you the author and detective of that mystery has experienced a change or shift in perspective after learning the answers to your ancestor’s mystery.

Your solution may come in revealing if your ancestor was, in fact, a murderer, or was murdered. Your solution may come in the form of explaining some motivation behind your ancestor’s actions in committing a crime, or hiding a child or a family. Your answer may come in the form of revealing the reasons that motivated your ancestor’s actions and putting their actions within the context of the time.

Consider using a mystery novel approach in sharing some of your family history findings. It makes a great format for bloggers and story writers alike.

Tip: One final thought when it comes to writing a family history mystery. Read examples of mystery stories to become acquainted with how they are written.

 

What mysteries in your family history research would make a great mystery novel? Share your ideas below in comments.

 

 

Cooking Up a Satisfying SceneCooking Up a Satisfying Scene



Like a good pot of soup on a cold’s winter’s day, every family history scene requires some essential ingredients to make them successful.  Without a tasty broth, some colourful veggies, and a fat noodle the soup will just not satisfy. The same can be said for a scene, if it’s missing an essential ingredient it will likely fall flat and you may lose the interest of your reader. Today, we look at the ingredients that make a satisfying scene.  Let’s identify the key ingredients in a family history scene each one closer so that you can create powerful and fulfilling scenes for your reader.

Protagonist Ancestor

The majority of your scenes should be built around your protagonist ancestor. Your protagonist ancestor is the main character of your story and through whose point of view, the story will be told.  In each scene, your protag ancestor will be involved in action or dialogue.   Make sure that you’ve chosen a single ancestor from which point of view that story will be told.

Action

Every scene shows some dramatic movement, large or small. It creates a sense of movement through time and space. It could be actual action or even dialogue which gives the essence of movement within a scene. Without action, you have no scene.

We want to demonstrate our ancestor’s movements, feelings, actions, and reactions. Don’t tell us about them, show them offer up the proof in the form of a scene.

 

Scene Goal

Every scene has a goal. We know that our story also has a goal, however, this is different from the scene goal. The scene goal begins and ends in the scene, but contributes to the overall advancement of the story.

Antagonist and Allies

Your protagonist ancestor needs someone to interact with, these will come in the form of an antagonist who opposes your ancestor’s goals or allies who will help your ancestor to achieve her goal.

New Information

Each scene builds on the previous scene providing new information that keeps moving the story forward. If it doesn’t move the story forward then perhaps it doesn’t belong in the story.

Setting and Time Period

Setting and time period is essential to grounding your scene through sensory details and description.

Theme

The overall meaning of your story is conveyed within scenes using images and sensory details.

Tension

Not only organizing your scenes within the story but by creating a feeling of conflict and uncertainty within a scene will keep the reader guessing as what is next and will keep them turning the pages.

Great Endings

Scenes can end in any number of ways. Some may end on a high-note, with a small victory for your ancestor, or in defeat. It can end with a cliff-hanger or some uncertainty. It’s important that each scene ends in such a way that it eludes to future obstacles for your ancestor and a yearning in your reader to know what happens next.

Make sure your story scenes have all the right ingredients.

 

Want to learn to write family history scenes. You’ll learn to incorporate all of the above elements into your scenes. Click here to learn more about our upcoming scene writing course,  Writing the Family History Scene.

Tips and Tools for a Rocking First DraftTips and Tools for a Rocking First Draft



Rocking out a good first draft doesn’t just happen it isn’t a matter of chance but rather a result of careful planning prior to writing. We constantly hear about writers who take one month to produce a draft for a book or story, who sit down and crank out a first draft in a month all the time. Of course, it is messy and will result in many rewrites and revisions. Writing a first draft in a month is certainly doable, but maybe we want a good first draft, not a mess. The only way to accomplish this is with a plan that addresses every aspect of writing a first draft, from mapping out your story to creating a scene guide, to gathering the details of your ancestor’s life, to surrounding yourself with an environment conducive to writing. Without a strategy most likely your attempt at writing your family history story will end badly.

Take some time before you begin to write your first draft and enlist the five tips and tools below. Together they will help you to pre-plan your first family history story draft.

Set a daily goal 

Tip: Writing a first draft in one month is about the numbers. The best way to do that is to do the math in advance and decide how many words you plan to write daily. By writing daily and with a word count goal, you’ll keep yourself on track to complete your mission, whether it’s a 20,000-word short story for your legacy family history book or an 80,000-word epic family history novel. Identify in advance your project and the word count. Do the math.
Tool: Download our free word count tools.

Take some time to outline your plot and scenes

Tip: The best way to write every day is to have a plan. It will be difficult to hit your word count and write a good first draft if you don’t have a plan of what you intend to write each day. Take some time upfront to plan your story map and outline your scenes. This way, each day when you sit down to write, you’ll know exactly what you plan to write.
Tool: Consider our 1-hour webinar One Month to a Draft. We walk you through the pre-plan process of mapping our your story and outlining your scenes prior to writing.

Choose one ancestor, one story

Tip: Don’t try to write four hundred years of history in one month. Break your family history into small manageable chunks; consider one ancestor, one story at a time. Choose your ancestor and complete a character profile. Character profiles help you understand your ancestor intimately and provide you with important details and that will be necessary in bringing your ancestor to life on the page.
Tool: Complete the Authentic Ancestor Profile in Authentic Ancestors, Workbook Number 2.

Develop a daily writing habit

Tip: A daily writing routine is essential to completing a first draft and making writing a part of your life. By finding the environment, tools, and time of day that work best for you, you can turn writing into a part of your everyday life. Habits will help you to centre yourself in the writing process quickly and maintain your focus pushing away distractions.
Tool: Getting Ready to Write Workbook 1, offers many tips and advice for clearing your schedule, creating writing habits and declaring yourself a writer.

Don’t work towards perfection

Tip: While we may not want a messy first draft it is important not to work towards perfection.  We have to move through the writing process and the first couple times may not be pretty but it is still an important part of the writing process. There is no stepping over or around the process. One cannot learn and develop their writing skills and flesh out their story without working through all the stages of planning and writing a first draft usually a less than gleaming first draft. We learn from creating that first story and moving through the process. The perfection happens in the rewrites and editing process. Every stage in writing a family history story is important in the process. Don’t try to shorten your path there is so much to learn from the process.
Tool: Enjoy every part of the writing process from finding the story to mapping and outlining your scenes with our scene guide in Finding the Story, Workbook No. 3

4 Steps to Structuring Story Scenes4 Steps to Structuring Story Scenes



If you’ve made the decision to use creative nonfiction to write your family history story then at some point, you’ll need to consider how you want to structure that story. In fiction writing, we call this the plot, in nonfiction, structure, but it is for all intense purposes the same thing. We want to consider the order in which we are going to tell the events in our story so that they bring the biggest impact to the reader.  How will they best deliver suspense and tension for the reader and bring them on an emotional journey with their ancestor. The structure is critical to keeping your reader tuned into the story and turning the pages to the end.

Here are four steps to consider when organizing that structure for your family history story.

Before I start any piece of writing, I brainstorm my ideas about a story. I jot down the scenes I see in my head, mull over ideas, themes, and the ancestors I’ll include in the story. I consider from whose perspective I will tell the story, which ancestor will be my primary ancestor. I think about my ancestor’s goal and his motivation. I consider what obstacles he had to overcome and what was at risk if he didn’t reach his goal. I often do a lot of this brainstorming in a mind mapping software called Scapple. Scapple is from Literature and Latte, the same great company that makes Scrivener. Once I have all my rough ideas down in a mind map, I begin to see if I can shape them into a story that I feel can withhold my reader’s attention.
Now with my mind map in hand, I follow these four steps to organize those ideas into a story plan.

1. Establish Major Events. 

First, I identify the major turning points or events that happen in my ancestor’s story.  I determine these major events by asking myself did this event force a change in my ancestor’s life, were they obstacles my ancestor needed to achieve to reach his goal. I like to use a story map, a visual tool, to plan out these events. I make a list of the biggest and most critical events I want to include and how they relate to my story question. I plot them on a story map using a traditional narrative arc that shows the rise of action and tension in the story. Sometimes, it takes some playing around until I feel I have the right events, in the correct order.

While doing this, I keep in mind the general order in which they’ll appear in the story, particularly in respect to the basic three parts of a story. I look for the beginning with an inciting incident that pushes my ancestor out of ordinary life, a middle crisis that works toward that most critical moment and then the final climax, when my ancestor overcomes his last obstacle that eventually leads to a resolution.

2. Look for the Layers of the Story.

Next, I look at the layers of my story. There are three layers to a story. First, we have the dramatic action, which is the physical action. We identified the physical action already through our events in step one.

Secondly, I look for the internal conflicts, the flaws or weaknesses in my ancestor’s makeup that holds him back from his accomplishments, which he eventually overcomes to reach success.

Thirdly, I look for the meaning, what will my readers take away from this story. What universal importance can my readers identify with in their ancestor’s life?

My goal is to have all three layers in my story. Sometimes they won’t always be evident immediately; it might take a draft or two for them to reveal themselves. But eventually they will show themselves. When writing these layers into the story, we want them intertwined. The more intertwined they are, the better. It’s my job as the writer to make sure as the story unfolds, to braid  the strands together as smoothly as possible, until, by the end, the reader can’t easily distinguish where one starts, and one stops.

3. Create the Framework of the Outline.

I then create a storyboard grid that will serve as my tool to outline my story. I place my key plot points those critical turning points we plotted on our story map, and we write them on a storyboard grid in three distinct sections, the beginning, middle and end. I then begin to fill in the scenes that lead me from one major turning point to the next. On index cards, I write a couple of sentences identifying what each of these scenes looks like. I’ll also decide where I need summaries to help me move from one scene to the next.

4. Outline the Scenes.

Once we have a good outline of scenes, we can begin to expand the few sentences that are on each index card. Develop the scene that you imagine by continually expanding the few sentences you recorded on each index card. Eventually, these few lines that you outlined can now begin to develop into a full scene. Before long, scenes slowly become chapters, and chapters become a book.

That’s it, 4 steps to outlining your story scenes and organizing them.  Taking a few minutes in organizing your ideas into a plan before you begin to write goes a long way to keeping a story organized, it will hold off that infamous writer’s block because you will know what to write each day. It also generally results in a lot less rewriting later if you start with a plan at the beginning.

You’ll find much more about plotting and outlining with scenes, how to use mind maps, story maps, a story grid and index cards to structure your family history story in my new workbook, Finding the Story, now available in our store.

 

20 Reasons You Should Blog Your Family History Book20 Reasons You Should Blog Your Family History Book



I believe in the paper book especially when it comes to leaving a lasting legacy of our family history. Don’t get me wrong, I own an e-reader, and I love technology, but paper books remain for me the best choices to record our family history stories. Paper has proven to stand the test of time, and it remains the best option for leaving a legacy for future descendants.

Who knows where technology will lead us in the years to come.  I do know that printed books have been around for thousands of years, and despite our advancements in technology they continue to hold on.  You do not have to worry about whether your stories will be found in the vast world of internet or whether your information saved on your computer or CDs can be opened and accessed by your descendants. Books don’t require any special technology to read them.

However, I also believe that we need to consider today’s technology for reaching out to our living relatives.   I hear it over and again. Family historians tell me how their family is not interested. But we need to consider how and where we are delivering these stories.

E-books, blogs, e-newsletters, and Facebook are just a few ways we can convey our stories to our living relatives.

To reach out to our children and grandchildren, we need to deliver our stories to their laptops, tablets, and smartphones. We need to address our family, particularly the younger generation where they live – online. We need to distribute our family history, in short, digestible stories, that fit today’s fast-paced lifestyle.

Enter blogging, an excellent tool for providing your family history stories in small, easily digestible snippets for today’s generation.

However, blogging has an added advantage. Not only can you use it as a tool to entertain and educate your living family, but you can also curate those blog posts into a paper book to leave for your descendants. Family history blogs give you the advantage of addressing today’s generation but also leaving your stories in a printed format for tomorrow’s generation. We need to focus on both so that our descendants will find our stories.

Family history blogging offers a variety of benefits for family historians and should be taken seriously as a means of bringing your family history to the online world and in a printed book.

Here are 20 benefits you can gain from blogging your family history book.

 

  1. Simplify an overwhelming project–breaking down the task of writing a book into small blog posts.
  2. Organization – short blog posts help you to organize your book into chapters, isolate themes, and ancestors to focus on.
  3. Establish a writing routine – learn to write on a regular schedule compiling a collection of narratives.
  4. Develop your writing skills –with each post your writing will improve. (I promise)
  5. Find an audience for your book – introduce yourself as a writer to not only your family but a worldwide
  6. It’s free – write a blog for free. Work out your stories before you invest in printing costs.
  7. Get feedback from readers on your stories.
  8. Create an email list of readers who may want to buy your future book
  9. Draw out distant cousins and find new leads on brick walls.
  10. Promote your genealogy skills and or business.
  11. Develop your social media skills.
  12. Produce material to share with your social media networks.
  13. Test book ideas before you invest a great deal of time in writing them.
  14. Build your authority as an expert in your field.
  15. Reach a younger generation where they live – online.
  16. Leave a legacy online for future generations to find.
  17. Increase your income.
  18. Attract an agent or publisher.
  19. Attract media to your business.
  20. Accountability and deadlines – hold yourself accountable to an audience to produce content in a timely and consistent manner.

Do you want to learn how to write a family history blog? Join our Family History Blog Writing Course, our first online course in The Family History Writing Studio. Learn to write and publish your family history one post at a time!

 Family History Blog Writing Course

This intimate, hands-on workshop will assist you in outlining and writing content for your family history blog for the purposes of curating your stories into a family history book.

Begins Jan 3rd. 2017, Registration now open.

6 Tips: Transport Readers to Your Ancestor’s World6 Tips: Transport Readers to Your Ancestor’s World



An important part of writing our ancestor’s stories is building the world where they lived. Building an authentic world is the key to transporting our readers back in time. It’s not enough to just state the year and the location of your story, you have to show your readers what that world looked like.  You can’t assume your reader will know anything about the time period your ancestor lived. They need the writer, you, to build the world, paint the picture, give colour, texture, and emotion to that world so that it comes to life for them and they are transported back in time.

Writers build a world on the page through detail and description and the same holds true for family history writers.  Below are six tips you enlist to build the world of your ancestor. A world that emerges from the page so that your reader will not just read about it but travel back in time and experience it.

 

  1. Understand the history of the time. It’s important to understand world history, the politics, economics and social conventions of the time. Who was in power at the time? Why? What was the main trade? Marriage laws? You must become very familiar with the time you are writing about. Researching the time period, and all matters related to that time period is extremely important to establishing that world. By referring to the history of the time, perhaps even referring to historical figures you help your reader connect with the time and place.

 

  1. Know the local community. It’s not enough to know what was happening in the world, you must have a strong sense of what was happening locally, and understanding the make-up of the community where your ancestor lived. Did they live in a city or a small town?  What was the topography of the area? Was the landscape hilly or flat? What was the weather like? Did they experience the four seasons? Was the community close in proximity or distant? Who were their neighbours? What was happening in the local politics? Were your ancestor’s well known in the community or outsiders?

 

  1. How were they effected. Once we identified the specific historical events, both world, regional and local to your ancestor’s timeline we have interpret how those events may have effected your ancestor. Is there any correlation between those events and your ancestor’s actions? Don’t just lay on historical information into your story but weave it into the story, into the events and actions of your ancestor’s life. The events should be seen through the lens of your ancestor. How does he or she feel about specific events? Don’t know, perhaps their actions reveal their attitudes?

 

  1. Sense it. Make use of your five senses when building your ancestor’s world. Your senses are an important part of bringing the surroundings to life for your readers. The sight of land as the ship arrives to its port, the smell of city, the music playing, the sound of the cars or horses coming down the road, the touch of a wedding dress. The use of your senses make the surroundings come alive for your reader.

 

  1. Dress it.Make sure you know what your ancestor is wearing, what undergarments support it, what was considered appropriate or risqué, and what kind of dress would suit your ancestor based on their station in life, their occupation, their religion and their attitudes. You may not necessarily have a picture of your ancestor but dress and grooming of the time can help you piece together an image of your ancestor for your reader.

 

  1. Detail it. Details bring a world to life. The more intimate the detail the more believable your ancestor’s world becomes. It’s important just not to list an abundance of detail and to lay it on thick but to choose those details wisely. Instead look for small details that you can weave into the story to show the reader your building an authentic world. What clothes they wore, the food on their plate, the book they were reading. Other details that add authenticity to your narrative include transportation, furniture, medicine, language, etc. We need to go under the surface of the story, to know what life was like in that era and how your ancestor experienced that world.

 

Where do you find these social and historical details?

  1. History Books
  2. Historical Novels
  3. Local Museums
  4. Historical Societies
  5. Local and Social Historians
  6. Websites

Here at the Family History Writing Studio, we’ve started a resource list of social history links from across the web that can help you in your history and social history research. Click here to check out our list.

We also dedicate a great deal of time discussing how social history can help you know more about your ancestors, in Workbook #2, Authentic Ancestors. Now available on Amazon in paperback.

Authentic Ancestors: Bringing Your Ancestor to Life through Characterization (Writing Your Family History Stories) (Volume 2)

or  as an e-book.

 

 

 

 

Social History ResourcesSocial History Resources



History and social history are important ingredients in building the world and stories of your ancestors. Below is a list of resources to help you with that research. If you have found a website that could benefit others please email me at lynnpalermo@eastlink.ca so we can add it to the list. Likewise, if you have found a link on this list that is broken or no longer is available please let us know.

General

The Social Historian

WishbookWeb.com – Archives of Sears Wishbooks

Historic Catalogues of Sears Roebuck 1896-1993  (Ancestry.ca)

 

Digital Libraries

HathiTrust Digital Library

Google Books

Smithsonian Digital Library

Digital Public Library of America

American Centuries

American Journeys

Documenting the American South

The New York Library Digital Collections

Harvard University Library

 

Timelines

Timelines of History

HyperHistory Online

The Food Timeline

Timelines: Sources from History

 

Disasters

Gendisasters – Disasters that touched our ancestor’s lives

 

Economics 

Measuring Worth

 

Love and Marriage

Love and Marriage in the 19th Century

 

Poorhouses

Waterloo County House of Industry and Refuge

 

Fashion

Fashion-Era

Early English Costume: Medieval Women’s Fashions

Had to Be There – fashion covering nearly 1000 years by NY Times

16th Century Fashion

Women’s Fashions of the 17th Century

 

Travel and Immigration 

Historical Background on Traveling in the 19th Century  

Voyages – Immigrants on the Ocean (focus on Norwegian emigrants)

Emigration to USA and Canada

Journeys to Australia

Gjenvick-Gjønvik Archives: Social and Cultural History – The Future of Our Past

Canadian Immigration – Canadian Museum of Immigration at Pier 21

 

Canada

Canadian Social History Series

Canadian Museum of History: Online Resources for Canadian Heritage

A Nation’s Chronicle: The Canada Gazette

History of New France

Rural Diary Archive

War Diaries of the First World War

Canada’s Nursing Sisters – Diaries

Ink – Free Early Newspapers 

Military Oral History – University of Victoria

Pioneer Life in Upper Canada

 

United States of America

Making of America 

American Memory Collection

Historical Census Browser

Discovering American Women’s History Online

American Social History Project

Bethlehem Digital History Project

Chronicling America

 

Britain 

British History Online

A Vision of Britain through Time 

HistPop: Online Historical Population Reports

The Health of London: Medical Officer Health Reports 1848-1972

Connected Histories: 1500-1900

History to Herstory: Yorkshire Women’s Lives, 1100 to present

The Statistical Accounts of Scotland 1791-1845

Timelines Sources from History

VCH Explore, Explore England’s Past

House of Commons Parliamentary Papers

Witches in Early Modern England

Routledge’s Manual of Etiquette  – Victorian Etiquette

 

Medieval Times

Life in a Medieval Castle

Manorial Language

Tales of the Middle Ages

 

France

Economic and Social Conditions in France during the Eighteenth Century