Join the Wait List for Our Next Virtual Writer’s Retreat.
Coming this Fall
Jump Start Your Story Writing!
Join the Wait List for Our Next Virtual Writer’s Retreat.
Coming this Fall
Jump Start Your Story Writing!
If you’re not a member of our Facebook Family History Writer’s Group, then you’re missing out on our Facebook Live videos. Every other week, I offer a small writing lesson on writing your family history stories. We have an awesome group of writers from beginners to those who have been writing for a while. It’s a supportive and nurturing place to meet up and ask your questions and seek advice.
This week I thought I would share with you last week’s lesson. What is a Plot and Why Your Story Needs One?
https://facebook-live-videos-1.wistia.com/medias/hxs5q8lpq8?embedType=async&videoFoam=true&videoWidth=640
Family stories dont have to be epic novels or mammoth books that tell a tale from birth to death of ancestors and their families. They can be short stories.
A short story is when a character undergoes some event and experiences something which offers him change. Short stories usually say something a small something but delivered with precision.
Short stories are growing in popularity because they can deliver the same experience of a novel but can be consumed quickly. You can post them on a blog, in a family newsletter or turn them into a video or gather a bunch of them together into a short story collection.
A short story is not a life to death tale of an ancestor squeezed into a short time period. But instead a moment in an ancestors life in which he or she experiences a life-changing event.
A short story does not have a 3-act structure as we learn in our online class Plotting a Family History Story. Nor is it just Act 1, 2, or 3. It has its own individual structure.
It focuses on your protagonist ancestor. There is usually one conflict two at the most. There are generally no more than two to four characters. The story may transpire over one or two locations.
In a short story, you have less space to develop your ancestors character, less room for lengthy dialogue.
A short story is rarely over 10,000 words or below 500 words, commonly between 1500-5000 words. A short story can be read in a single-sitting but long enough to engage and move the reader. The topic is narrow and focused, the storys meaning demonstrated through events that effect some change or denial of change in an individual.
Weve broken down the process of writing a family history short story into 10 steps.
Step 1: Brainstorm
Brainstorm. Choose an exciting event from your research. It could be a happy moment or sad moment or a life-changing event. It could focus on a relationship between two ancestors or with a friend, acquaintance, stranger or spouse. It could be a trip or vacation, a sporting event or other activity. Mine your research and find an event worthy of a short story.
Step 2: Choose the Protagonist Ancestor
Choose the ancestor through whose perspective the story will be told. Every story needs a protagonist ancestor at the centre of the story. This allows the reader to connect with that ancestor and the story.
Step 3: Find the Story Goal
Before you start any story short or long you must identify the focus, the goal. All narratives have a focal point, a climax. Identify a purpose that your protagonist ancestor sought to achieve in his life. What is the central moment of the story when your ancestor reaches this goal and change occurs? This is the climax, the goal of your narrative.
Step 4: Complete Ancestor Profile and Setting Details
Outline your ancestors profile and the setting details. Its important to take some time to research and flesh out the details and descriptions of the setting of your story so that you can bring it to life on the page. Equally important is understanding your protagonist ancestor on an in-depth level. Complete an ancestor profile so that you can pull together your ancestors physical appearance but also come to comprehend what makes them tick and you are able to bring the most authentic ancestor to the page.
Step 5: Write the story as a one-page synopsis.
Go ahead and briefly sketch out a 1-page synopsis of your story as you see it. This will help you in the next step of creating a storyline.
Step 6: Outline the story structure using a storyline.
Below youll find a storyline for a short story. You want to break down your narrative into critical scenes, including opening scene, obstacles, climax and closing scene.
Step 7: Write your short story using scene and summary.
Youre now ready to write your short story. Make sure you find a delicate balance of scenes and summary to tell an intriguing tale that will bring an engaging and entertaining story to the page.
Step 8: Write a satisfying ending.
Make sure your story ends with a climax and conclusion that leaves your reader with a clear image and message.
Step 9: Rewrite for clarity, concision and structure.
Now its time to rewrite, making sure every detail is exact. Share your story with a writing group. Get feedback and allow that feedback to grow your writing skills.
Step 10: Share your writing with the world.
Now your story is ready to share with the world. Stories are meant to be read. Be brave and put it out in the world. Then, move on to the next story.
Need a short story example? One of the first short stories I ever read is Faulkners A Rose for Emily. Go ahead and give a read and note how Faulkner has structured his story. While this is a fictional short story, I offer it up as a great example of short story writing structure.
All too often when we think about writing our family history stories, we contemplate writing about those big story ideas. We want to write an ancestor’s life story from birth to death. We think about writing our family history from as far back as we have researched to present day. These are pumpkins. Gigantic pumpkins.
Your family history might very well be an inspiring and insightful story. But when writing your family history, you don’t always have to go big. Sometimes there are little seeds of stories buried within your research. I love those stories because they zoom in and show our ancestors in their most personal moments. These intimate moments will resonate with your readers.
Often, we have these pumpkin size ideas. Pumpkin ideas are cumbersome and hard to carry. They tend to wear us down. They are overwhelming. When you write about huge topics, you can tire out and lose interest. Huge topics can also be challenging to write, with so many aspects to consider. It’s more fun to dig out the seeds than carrying around a big awkward pumpkin.
For example, my mother’s life story is a pumpkin size idea. It’s a huge pumpkin with over 85 years of life to write about. Even if I break her life story down into subtopics, they can still be significant. Watch me do this with my mother. I jot down pumpkin-sized ideas in my notebook.
They might look something like this:
In my notebook, I have carved up my pumpkin and listed all sorts of things that were interesting about my mother’s life, as you can see above.
Now that I’ve carved up my pumpkin, I begin to see the seeds and start to pull out those seeds.
Ohhhh, see that!? Now, these moments are starting to sound more like stories, and less like topics. You saw how I did that, right? Finding my seed ideas inside that big pumpkin of a life story.
Now, you may already have ideas that are somewhat specific. Maybe you’ve carved your pumpkin already instead of leaving it whole. But I challenge you to zoom in and pull out those small seeds.
Grab your writing notebook, and identify an ancestor you want to write about. This is your pumpkin idea.
Next, create subtopics, carve up that pumpkin, usually around time periods or significant events in your ancestor’s life. They may look like this:
Next, take that carved pumpkin and pull out the seeds, those little ideas within those topics.
For example,
Immigration
Job
Marriage
Seed ideas are usually memorable moments in a person’s life, but they also can trigger random specific moments in their life that can hold significant meaning.
If you’ve been struggling to get your family history stories out, I’d suggest it could be that you’re carrying too large of an idea. Every time you write, remember to zoom into your ideas, carve up the pumpkin and start to pull out those small seeds. A seed idea is quite fun and manageable to write about!
Everybody has a story. Thats true. But no question some stories are better than others. Why? Because they are built around great conflict. The bigger the battle, the bigger the story. When it comes to writing stories that will entertain and engage your family you want to seek out stories that provide conflict to the reader. Give your readers a story filled with struggle, and they will want to learn more.
Sometimes, as writers, we struggle to identify this conflict in our ancestors life. On the surface, our ancestor’s life seems boring and mundane. However, if you take a few minutes before you begin to write you might be surprized at what you will find. Once you find a little conflict your job of writing an engaging and entertaining family history just got easier.
Here are some tips on how to help you find the conflict in your ancestor’s life that you can in turn structure your story around.
When human beings go through change, there is generally conflict. That conflict might come in the way of people who dont want to change or refuse to change. Others might change reluctantly and find it very stressful. What kinds of change can we see in our family history research? Look for ancestors who are forced to change jobs, or must leave their country, or are sent away to school or forced into a marriage. Perhaps a woman who has had a father or husband to lean on all her life, only to lose them and must provide for herself and children. Where there is change, there is generally both inner and outer conflict as our ancestors attempt to deal with the change.
Another excellent method of looking for conflict in an ancestors life is to seek out any significant accomplishments your ancestor had in their life. For example, purchasing land particularly if they were locked in a social status that prevented it. Another example may be acquiring an education, or having children, or building a successful business. Once youve identified the accomplishment look at the obstacles that an ancestor faced in achieving that accomplishment. A woman who wants a family may find herself struggling with finding an appropriate husband and then only to have multiple miscarriages before finally having a child. Few of us achieve great things without having to jump through some hoops and overcome a few obstacles. Shape your story around those challenges on the path to finally acquiring their goal and you have an entertaining family history story.
Everything we do in our life is generally motivated by something in our past. We may realise it, we may not. We rarely do anything, make any change, or seek out any goal in our life without it being driven by something in our past. For example, if your ancestor emigrated, why? What motivated this emigration? Perhaps it was poverty, maybe it was the fear of war, maybe it was certain conscription into the army. Seek out the motivations behind your ancestors actions, and you will often find a conflict they have grappled with and that has eventually driven the choices in their life. Shape your story around these motivations and your readers will be glued to your story to the very end.
Was your ancestors life affected by local, regional or world events? These events may have presented them with conflict. For instance, did a World War present conflict for an ancestor? Were they a conscientious objector, or perhaps troops marched through their town changing their lives forever? We’re they conscripted? Sometimes conflict is thrust upon our ancestors by outside events they had no control over. Look for how a historical event propelled great conflict into your ancestors life and altered its projection forever.
What would have happened if ? If my ancestor had not emigrated? If my ancestor had been conscripted into the army? If we look at our ancestors life from the perspective of a ‘what if’ then it can often show some struggles and conflicts that our ancestors faced in their life. When looking for conflict in our ancestors life, it might be buried in what they managed to avoid. Sometimes I hear family historians say, nothing significant happened in my ancestors life. There is no conflict. It may appear as if there was no conflict because your ancestor managed to avoid being caught up in such struggles. Look at the choices they made and the ‘what ifs.’ What if they hadnt made this decision or taken that option, you might be surprised at what you find. Its not that the conflict didnt exist, your ancestor may have been one step ahead of the conflict.
Take a look at your family history research using the 5 tips above and you might just discover some amazing family history stories waiting to be written.
I’ve heard it preached many times, write for yourself. While this is a lovely thought, it can be very misleading advice. While it is important for you to be emotionally invested in your story, it is unrealistic to only write for yourself, especially if your goal is to get your family to read your ancestor’s stories. You can’t write your family history stories without considering your audience.
You want your stories read after all isn’t that the point of writing them. Therefore, when you choose your subject, how to structure the story and what you include in the story it must all come back to your reader. Will your choices encourage your family to read your stories?
Today, I’ve got five writing tips that demonstrate why you always need to consider your readers when writing your family history stories.
Don’t make your story too broad including a lot of ancestors and covering a lifetime of events. The more you focus your narrative on one ancestor and a specific accomplishment in your ancestor’s life the more likely your readers will connect with that ancestor. Concentrate your story on one ancestor and zero in on the struggles that one ancestor faced in his or her life. When you concentrate your story in this manner, you give your reader an opportunity to connect with that ancestor. When the reader connects, the story gets read.
Think about the choices your ancestor made. What would have happened if your ancestor had made a different decision? What if your ancestor had chosen a different path? What kind of devastation would they have encountered? How would their life have changed? How would your life had been different? When you reveal the risks that your ancestor faced in their lives and convey that in your story, you create tension. Tension is a critical ingredient in any story to keeping the reader engaged. For instance, let’s speculate what risks were involved if your an ancestor hadn’t immigrated? Perhaps, your ancestor would have ended up in the poorhouse, or fighting in the war or remained poor with no opportunities for improving their financial or societal status. Maybe your ancestor would have died in a war or from disease? When you reveal the alternatives, you increase the tension for your readers and make your stories far more appealing. Your readers are likely to stay committed to the end of the story because they want to read how their ancestors succeeded.
When you take the time to arrange your story in such a way that it increases the tension, then you keep your reader tuned in. Often, family historians fall into the pattern of writing a birth to death story about their ancestor. Don’t fall into this trap. Instead, structure the story around a significant accomplishment that your ancestor achieved. In your story, show how your ancestor overcame obstacles to reach this achievement. This will create what we call rising tension. Structuring a story with increasing tension will keep your readers interested and turning the pages.
We live in the days of immediacy. We want everything fast. The same can be said for reading your family history. Give your readers quick easily digestible and shareable stories. Today’s generation isn’t interested in a 500-page family history. Write short stories about a variety of ancestors to draw in your reader and keep them engaged. Don’t discount what your family likes to read, and how they want to read. What will it take to get them interested? It might mean writing a blog post or short story instead of an epic novel or a dry genealogy. You must be willing to adjust accordingly. Keep it short and throw in a few pictures and you’re more likely to attract them into reading your story.
The more you can help your readers relate to their ancestors the more likely they are to connect with them and take a further interest in their family history. Keep the content relevant to the times but also try to show how your ancestor’s lives might parallel your readers’ lives today. Consider how your reader can see themselves in your ancestor. How will they relate to them? The more relatable and likeable the ancestor the more engaged the reader.
You can’t dismiss your reader’s likes and needs when it comes to reading their family history stories. When you take the time to learn and write family history stories that entertain and engage your reader you are more likely to find your readers taking a more in-depth interest. If you would like your family to read your family history stories, then you need to keep them top of mind when you write.
Let’s create stories that give you the greatest chance of having them read and enjoyed by your readers.
I’m known as a plotter. This means I love to outline my stories in great detail before I begin to write. For me, it’s like creating a road map of a story from start to finish. It allows me to organize my story so that when I start to write I know exactly what I’m writing and where I’m going with the story. It eliminates sitting and staring at my computer screen in that deep dark hole known as writer’s block.
I use index cards to create this map. Each index card represents a scene or a summary. A creative nonfiction story is comprised of scenes and summaries and having those scenes carefully thought out in advance can help keep you organized and writing every day. Check out my scene building cards that I designed just for family history writers.
Once I have my story mapped out with my index cards, then I can begin to write my first draft.
While index cards may seem a rather old-fashioned method for outlining it is with good reason it’s still around, it works. Of course, just as technology has impressed itself on every aspect of our lives even the little old index card has not gone untouched by the digital world. You can still use paper index cards if you are tactile, and like the physical feel of a paper card in front of you. I love to lay out my index cards on a corkboard in my office it keeps my story in front of me and top of mind.
There are plenty of digital index cards available today that have replaced the paper card. For instance, Scrivener offers index cards on a corkboard so that you can storyboard your family history within the writing program. Check out this video to see how to use the Scrivener corkboard. Scrivener also offers the ability to print off those cards so you can still have those paper cards to shuffle around on a physical corkboard.
There are plenty of apps for index cards, the Corkboard Writing app, and the Index Card app are just a couple. Most are available for iPads and iPhones. Check the Apple App store for a selection.
An index card will record either a scene or a summary on the card. On each card, you will record bullet points to help you write that particular scene or summary. Here is an article that explains the difference between scene and summary.
Scene cards should contain a few basic elements that will help you to write the scene when it comes time to put pen to paper.
Who – the primary ancestor in the scene
Scene Goal – your ancestor hopes to accomplish an explicit goal with the scene. Read here about scene goals.
Action – what physically happens in the scene.
Setting – Where and when does it happen? Indoors? Outdoors? Time of year, day, place, etc.
Conflict – within the scene is conflict, tension or suspense.
Inner Journey– how is your ancestor emotionally affected by the outer journey or action happening in the scene.
Theme – Do the details in the scene support the theme you have created?
Index cards are another tool in our writer’s toolbox that helps us to break down our writing into manageable tasks, keeping us from becoming overwhelmed and hitting that all too familiar writer’s block.
Want to learn more about how to write to write a family history scene consider our upcoming class, Writing a Family History Scene.
To understand how to format a story using scene cards, consider joining us for our upcoming course Plotting a Family History Story or our e-workbook, Finding the Story. Also available on Amazon in paperback.
Often we are held back from writing our family history stories because we just dont know where to start and in turn, where to end it.
If weve managed to find a starting point, we often find ourselves in the middle, floundering, being pulled in different directions. This is often because weve picked our starting pointing out of midair giving little thought to why we chose that starting point and how we are going to proceed. Thats why its important to have a plan.
Identify a Goal
Sometimes we immediately think that our ancestors stories begin with their birth and naturally should end with their death. While you can take that approach, a far more interesting and engaging way to tell your ancestors story is to highlight a period, an event, a day or a pivotal moment in your ancestors life. This time-period should show when he or she has overcome significant obstacles in obtaining this want or a goal in their life.
We can discover these goals by looking at the events that played out in your ancestors lives, immigration, marriage, land owner, business owner, education, children, freedom, the list goes on. Start by identifying a goal your ancestor pursued in their life and structure your story around it.
Once youve identified that goal, you should easily be able to find the obstacles your ancestor overcame in pursuit of his goal. Click here to learn how to find the conflicts and obstacles in your story.
Where to Start Your Story
Start your story just before your ancestor made a change in his life in seeking the identified goal. When did he make a conscious change in his life to pursue his goal?
Show us your ancestor in his normal life before he made that change before he began to reach for that goal. Let us see the motivation for this goal. What in his history drives him to achieve this goal. This helps your reader to understand your ancestors state of mind, and why this objective is so important to him.
As you proceed through your story, you can share the struggles he overcame, one after another, all while also sharing some insight into his decisions, his motivations and what is at stake should he fail. Click here to learn more about goals, motivations and stakes.
There was always plenty at stake if our ancestor failed, poverty, freedom, jail, poorhouses, conscription are just a few. Allow the reader to see the possible risks it keeps them tuned into your story.
Where to End Your Story
Your story ends when your ancestor achieves his goal. In the conclusion of your story, you can show your reader how his ambition changed him and his life. While it will be natural to show us how his life changed physically, dont forget to tell us how he changed emotionally. In your resolution, you want to demonstrate not only how the outward circumstances of his life altered but how does he perceive his life and the world around him after achieving his goal.
Structuring your ancestors story around a particular event, a monumental moment or an achievement helps you to write an engaging tale with highs and lows, rather than a linear plot of birth to death. Give your reader a reason to root for your ancestor, engage in the story, all the while delivering the information and facts of your research.
When you take some time to share your ancestors story around a goal, with obstacles, you give your readers an ancestor they can relate to, and when they can relate they will be more inclined to absorb your story and take away its meaning and importance in their life.
Ultimately isnt that what we want from our stories to affect how our readers think about their ancestors and ultimately themselves.
To learn more about structuring your ancestors story pick up a copy of Finding the Story in our shop or learn more about our upcoming course Plotting a Family History Story.
This Fathers Day the best gift you could offer your father is the commitment to write his story.
Ok, before I hear a big collective sigh out there because you thought you were going to get way with a golf shirt again this year, let me explain. It doesnt have to be big and take you the next five years. You dont have to have it completed for Fathers Day. In fact, Ive done a lot of the work for you. I designed a beautiful gift certificate, Father’s Day Gift Certificate, you can download and give to him, and Ive prepared 11 questions that will help you to get the information you need to start writing. These questions are built around the necessary elements you need to create a great story.
These 11 questions will help you to interview your father while at the same time focusing in on the key elements needed to tell an entertaining, compelling story.
Set up some interviews, maybe a couple of hours each week and ask the questions. You could do it in one sitting but dont wear the poor man out. Each of these questions will help you to set up a story, with a setting, a goal, conflict, obstacles, motivation, and theme, all key to writing a compelling and engaging story. I’ve noted beside each question what story element they may contribute to.
1. Start with the basics if you dont already know them, where he was born, lived, went to school, married. Your genealogists you know the stuff Im talking about. You most likely have all this information, but it never hurts to confirm it again. Setting
2. Get some accurate descriptions of the principal places in his life. What did his house look like? His bedroom, his place of work, etc.? Get very detailed. What was on the walls, the furniture? Use your five senses, how did sound, smell, touch, see and taste? Setting
3. What was life like growing up for him? Was it carefree? Stressful? What kinds of things influenced his growing up years? Money, War, Depression, Friends. Social History
4. Who were the key people in his life besides his parents? Individuals who supported him and influenced him along the way. Main Characters
5. His thoughts on his parents. How were they as parents, what did they teach him? What didnt they teach him? What kind of parents were they, strict, lenient, fair? What did he learn from them? Does he emulate them? How did he hope not to be like them? What skills, morals, and values did they stress on him? Backstory/conflict/motivation
6. What were your fathers dreams and aspirations? What did he want to achieve in his life? Did he or didnt he achieve those goals and why? Goals
7. What obstacles did he have to overcome to meet his goals? At any point did he change his path on his way to his goal or change his target completely somewhere along the way. Obstacles
8. Did anyone in his life object or hold him back from his goals? Antagonist/Conflict
9. What motivated him in his life and goals? Did he fear not meeting these goals? Why? Motivation
10. What life lesson would your father like to pass on to his descendants? Theme
11. How have his choices changed him and his outlook on life and what he wants for his children and grandchildren? Inner Journey
With these 11 questions in hand, you now have the key ingredients of a great story. Not a chronological tale of a life but a story with depth, meaning and purpose. A story shaped around goals and aspirations that were met with conflicts and obstacles.
Use Workbook #3 Finding the Story, Plotting Your Ancestors Journey to structure your answers into a compelling story format. Add some pictures and you will have a nice little book in honour of your father. You’ll likely move up to favourite child status very quickly.
Take advantage of our June Special. Get Workbooks, 1, 2, and 3 in downloadable PDF format for $17.00.
Consider interviewing your father using the above questions and then joining us this fall for our online course, Plotting a Family History Story. Now open for registration. Limited spaces.
We all have them – secrets. Every family history has their share of secrets and as family historians, we generally will stumble across a few in our research. Uncovering a family secret certainly isn’t unusual. The arduous task can be in deciding whether to write about that secret.
Let’s first consider why people keep secrets.
Generally, our ancestors kept secrets because of the fear of the consequences of family and non-family members finding out. Would your ancestor be kicked out of the house, would a spouse leave, lose a job. Secrets are often kept to protect a loved one or a relationship from such consequences.
Our family members were afraid of being judged. They chose the discomfort of hiding the secret over the possible pain of judgement. Fear of humiliation and judgement is one of the greatest fears we have as humans, and it drives many of us to keep secrets. Right and wrong is a man-made invention. Our beliefs, sense of right and wrong come from adults and authority figures in our life. To please everyone, we keep secrets about the rules we break, so that people don’t judge us.
There is shame attached to the secret. Societal norms dictated whether what our ancestor did was wrong. The shame of not meeting with those societal norms was enough to encourage our ancestor to engage in a secret.
Our ancestor made a poor choice that couldn’t be corrected. Our ancestor then turned to hiding that poor choice.
Your ancestor may have engaged in a secret because of anyone of these reasons or a combination.
How do you decide whether to reveal a secret?
When it comes to writing about the family secrets we need to aware of the above reasons. If these reasons still exist for your family involved, then you most likely are not going to get them to be open to you writing about the secret. If it will hurt someone and produce no benefit, then it shouldn’t be told.
However, you must also examine your motivations for wanting to know the secret. Is it selfish? Is it merely to fill in a blank on the family history chart or is it to write a juicy story? Is it to get it off your chest, or do you feel a moral obligation to tell? Unfortunately, these are not good enough reasons to reveal a secret. If it is not your secret to tell, you must have the permission of those who were involved in the secret. Then you must also consider their motivation in telling the secret. Are they seeking revenge or is it time to let the secret go?
If the ancestor has passed
If the ancestor has passed, and those that are involved in the secret do not have to worry about being judged or feel shame, then I think as writers we are free to write about the secret. However, I still believe it is paramount to come at the secret with sensitivity and to put the secret into the context of the time and place. We have to be open to using the secret in our writing as a teaching moment. A time to learn about the tough choices our ancestor faced. Writing from a place of judgement or revenge will not win you any points with your readers even if your ancestor has passed.
If the person is still alive
I’ve always said if the individual or individuals who are at the centre of the secret are still alive and still fear a sense of shame or fear of being judged then it’s not our place to write about the secret. If it hurts someone who is still living and produces no benefit to the family, then it shouldn’t be told. Unless, of course, they are willing to open up to you and you can infer in them, a sense of trust.
Sometimes secrets in our ancestor’s days wouldn’t be considered a secret today. Some secrets don’t carry with them the level of shame or judgement that they did in days past. However, if that ancestor is still alive, you can’t deny their feelings even if the rest of the world has changed.
Their Secret Went to the Grave
Often, ancestors take their secrets to their graves. There is just no way for us to know what happened. It is in times like these that we need to let it go and accept the fact that the secret will never be known and perhaps that is for the best.
It’s not enough to wrap ourselves in the cloak that family secrets are a part of the family history and a fact and we have to write about it. We instead need to consider family secrets as an opportunity to heal the family, to use family history secrets to a teach a lesson if not for this generation but the next.