Character development is an important step in bringing your ancestor to the page. But unfortunately, few writers take the time to fully flesh out their ancestor’s character before they write their story. This leaves the reader with a flat and unremarkable character. If you want to write about real people, then it’s critical we do the work of character development. Today’s video offers some initial first steps in the process.
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The protagonist is the central character in a story. I’m going to assume you’ve watched enough movies and read enough books, that you understand every story has a protagonist. However, did you realize even your family history story should have a protagonist.
Your reader needs a focal character. Someone through whose eyes the story is revealed. Your reader needs someone to either approve or disapprove of and without a main ancestor as your reader’s emotional guide they will have no feeling for the story either way. Your family will begin to connect to your story when they identify with an ancestor, a protagonist in the story.
Here’s a few things you should look for when determining your protagonist ancestor.
Action
Your primary ancestor’s life needs to demonstrate action in his or her life. You need to be able to see that they acted upon the world and not merely reacted to the world. The events in their life are the action they will bring to the story. By action, I don’t mean an ancestor who was hyper and ran around in circles. Action is choice. You want the protagonist in your family history story to be an ancestor who made decisions in their life. The bigger the choice, the more significant the story, and the larger the story, the more compelling the read. Tell your family history story from the perspective of the ancestor that made the biggest choice.
Conflict/Fear
Look for the conflict in your ancestor’s life. That could be an outer conflict or an inner conflict or perhaps both. If that fear or conflict is something that your readers will identify with then, you probably have chosen a good protagonist.
Plot
Your principal ancestor must be crucial to the story’s plot. If you can write a story without them or a mere mention of them than they are not your protagonist ancestor. Their actions and choices should move the family history forward.
Relatable
Your readers should empathize with your ancestor. They should be real people, with real dreams and real problems. You want your main character at the very least to be somewhat likable. They should want to know them, maybe even become their heroes.
Flaws
A good protagonist should have a few flaws. Don’t shy away from choosing an ancestor with visible defects. It is in these blemishes that your reader relates to their ancestor.
Change
Storytelling is change. In your story, change occurs either because the protagonist changes, the world changes or the protagonist changes the world. But something must change. In your research, it’s important to identify the change both outer and inner change that your protagonist goes through.
If you would like to know more about identifying a protagonist in your family history story, we discuss this in great detail in Authentic Ancestors, Bringing Your Ancestor to Life through Characterization.
You’re well aware by now of the importance social history plays in writing your family history stories. However, I’m not sure the family history writer is sensitive to the depths social history can participate in establishing a characters thoughts and actions.
When we have little knowledge of an ancestor’s life, social history plays a pivotal role in developing the habits and actions of that ancestor. While it is important to identify and understand the habits and activities of your ancestor, you must also define the world in which they made those decisions. In combination, you can observe what influenced their habits and actions and how those influences affected their daily life. It is in understanding these forces that we understand the decisions they made and therefore their motivations.
There’s that word again, motivations, the heart of our story. Understand their motivations, and you’ve gotten into the head of your ancestors. You’ve taken your reader beyond the surface and placed your reader not only into your ancestor’s world but inside their head, where the reader can make an emotional connection.
In her book Bringing Your Family to Life Through Social History, Katherine Scott Studevant defines social history as, “The study of ordinary people’s everyday lives.”
Few of us have exceptional people in our history, those people, who accomplished great things, so much so their lives, actions and thoughts are well documented. Instead, the majority of our ancestors were average and ordinary but it is in being common that we can place them within groups to help us understand their actions and decisions in life. It is in belonging to these groups that we can learn such things as their behaviours, beliefs and customs. Your ancestors can be placed in any number of groups, from the obvious religious groups; ethnic groups to their gender, age, occupation, those are but a few. By identifying the groups that your ancestor belonged to, and studying the habits of those groups in a greater context you can piece together a picture your ancestor’s everyday life. We can also come to understand the ideas and thoughts what prompted their decisions in life.
Social history looks to a variety of sciences to help us understand group and individual behaviours that include psychology, sociology, anthropology and geography. For this reason, when I say ‘look’ at social history to understand your ancestor, I don’t throw this idea around lightly. While social history research can help you identify the clothes your ancestor wore, their hairstyle, it can also help you to go deeper than just their physical appearance. Social history can put the food on their table, the dirt under their fingernails, the Bible on their night table and the x on their ballot. Social history can help you identify an ancestor where the only thing that existed is a name on a document. It can assist you in turning an unknown ancestor into a character in your story. By studying group behaviours you begin to understand your ancestor’s actions, you start to shape a life that you may have never seen before. You begin to create not only a visual image of your ancestor, but you put thoughts and purpose behind their actions.
Below is a brief list of groups you may want to consider when researching the social history of an ancestor. We discuss social history and its relationship to profiling an ancestor in great detail in Authentic Ancestors. This list is very general in nature. Hopefully, it will be a launching board for more specific histories you can consult. There will be many different groups to consult based on your individual ancestor’s make-up. Look at your ancestor and create your own list of particular groups that he or she would have belonged to based on their age, occupation, culture, sex, religion, etc. The more specific you can be the more detailed and precise a profile you can create. The more precise the profile, the closer you become to understanding the thoughts and motivations behind your ancestor’s actions.
Local History
Rural and Agricultural Histories
Community Histories
Women’s History
Black’s History
Economic History
Labour Histories
History of the Family
Oral History
Folklore History
History of Childhood
History of Science and Technology
Sports History
History of Leisure
Military History
Immigrant History
Ethnic History
History of Education
Thank you for giving me a basic beginning of how to develop my ancestors character. Being a beginning writer, it helps to have information that gives me a guidance as to where to begin.